artwork printed on canvas or paper></a></td></tr>
			<tr><td><a href=
BUY an Archival Print of this Artwork




Site Navigation

About Us:
  • Central Philosophy
  • Our Mission Statement
  • Staff and Advisory Board Listing


  • Main Sections:
  • Home
  • Museum
  • Articles
  • ARChives(tm): Essays and Information on Art by Today&s Experts and Professionals (organized by topic)
  • Letters to ARC

  • Latest! Read 225 Reasons to Tour the ARC Museum

    Administration:
  • Approved Ateliers, Schools & Workshops
  • Gallery of Certified Living Masters
  • Living Artists™ Application
  • Approved Atelier and School Application


  • Competitions & Scholarships:
  • Prospectus for the International ARC Salon™
  • Prospectus for the ARC Scholarship Program
  • Winners of the ARC Salon™
  • ARC Scholarship Winners



  • William Adolphe Bouguereau (William Bouguereau)


    William Adolphe Bouguereau (William Bouguereau) (1825-1905)
    Le Saintes Femmes au Tombeau
    Oil on canvas
    1890
    Private collection (United States)
    Added: 2009-02-20 00:00:00

  • BUY a Fine Art Print from the ARC Store and Support ARC





  • Additional Information on this Artwork:

    Le Saintes Femmes au Tombeau, 1890, translated to The Holy Women at the Tomb, depicts the three Marys, Mary the Mother of James, Mary Magdalene and Mary of Cleophas, at the tomb of the resurrection. The viewer, compositionally, is placed in a prostrated position and looking up first notices the expressions of bewilderment on the central Mary's face before looking past the three women and into the tomb. The tomb is filled with light and the viewer can only catch a glimpse of the "angel of the resurrection" with his arm raised. This is a very clever arrangement. The viewer feels as though they are there with the Marys and that they have stumbled onto this event, bringing it into the present. This painting was first exhibited at the Paris Salon of 1890, and though a critic after viewing the piece at that time said that Bouguereau "always showed the same thing", the perspective used in this painting and the overall composition is most original and was a tour de force of perspective and foreshortening; which can be clearly seen in the severe angle of the tomb entranceway. The painting now hangs in the collection of the Musée Royal des Beaux-Arts, Antwerp, Belgium.
    -by Kara Lysandra Ross

    Excerpt from the article: William Bouguereau and his Religious Works