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Nymphs and Satyr, by William Bouguereau (Detail)
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Han Wu
Shen
ARC Living Master™
Chinese artist
born 1950

Also known as:
Han Wu Shen

Nationality:
Chinese


Biographical Information

Shen was born in 1950 in Wuhan, Hubei province. His family was poor, but he was very good in school and was admitted to the best mid-school in Wuhan. His ideal major was Tsinghua University's Civil Engineering and Architecture but because of the Cultural Revolution he was forced to go to rural areas and work as a farmer. He lost the opportunity to go to university and did not even have the chance to go to high school. His life was very poor and difficult in the countryside. He had a talent for drawing and started to draw portraits of the dead just for his next meal, many times from the corpses, before the bodies were buried. He gained respect among the local community, and was regarded as a distinguished guest. Through this hard life he found that he loved to draw. His artistic fame first began before he had even taken formal training. In 1972 he painted a work depicting a Chinese soldier taking his two children to see a sculpture that reflects the hard life of farmers before 1949, when they were oppressed by landowners. The painting titled "Do Not Forget the Past" had an enormous social effect. It was shown on the news and the Hubei Province published millions of copies of this oil painting that were issued and had great influence nationwide. In the 1980's, he became famous as a book illustrator, and from 1984-1986 was the editor for Changjiang Literature and Art, a literary periodical at Hubei Fine Art Publishing House. In 1986, Shen entered Wuhan Art Academy and became a professional artist. Throughout the 1990s his oil paintings were frequently exhibited in national fine art exhibitions and in 1995 Shen became a member of the Chinese National Artists Association. He later served as the Director of the Wuhan Artists Association where he had once studied.

Ross first learned of Shen in 2001 when Ross and the ARC Board of Judges admitted him to the Art Renewal Center's Living Master's Gallery. In 2003 he immigrated to the USA after Ross purchased three of his works. The move was important to his daughter's education and because Shen always wanted to travel and see the world, though he still frequents his home country and has many ties there. About his work Shen says the following "My paintings depict the most basic level (grass roots) of everyman in China. I represent the goodness of human nature and my figures tend to have the expression of hope in their eyes which shows the yearning for a better life." His works fall under three main categories, woman and children in rural area's, paintings of the Red Guard, and paintings of the workers of China with particular interest in painters. Shen depicts the importance of human existence, the importance of the past, and the importance of the human connection to nature and the world that one lives in using powerful psychological imagery. Shen has been honored with solo shows within the US and China and has been featured in numerous other shows including the First Chinese Oil Paintings Annual Exhibition, '92, Contemporary Chinese Oil Paintings Exhibition, '93, Chinese Oil Paintings Annual Exhibition, the Third National Sports Art Exhibition, the Eighth National Fine Art Exhibition, the Second Chinese Oil Paintings Exhibition, the Fourth National Sports Art Exhibition, Contemporary Oil Paintings Exhibition of China on Hong Kong's Return and many others. Among those works,"Longing for the Soccer Field" won the Third Class Award of the Fourth National Sports Art Exhibition, "Colorful World" won the Excellent Works of the Eighth National Fine Art Exhibition he was selected for the crucial exhibition in Japan for the "Album of Contemporary Chinese Art Exhibition". Most recently he has been featured in the 2011/2012 Art Renewal Center International Salon, winning the award for Best Social Commentary.

Lineages

-2011
Oil
90 x 100 cm
(35.43" x 3' 3.37")
Private collection

Added: 2012-08-08

The bloodline-ism has existed for a long time since the feudal society in China. Those people with this thought advocate strongly that a person's destiny, future career or social status would be majorly dominated by his/her lineage of ancestors and older generation. A well-known couplet then characterized this thought as to: Like father like son, as a hero; Like father like son, as an evil.

Since the found of the People's Republic of China, the people in mainland were classified as three social classes, which were "Red Five Category", "Black Five Category" and "Normal Working People".

The communist party and governors entrusted those who belonged to Red Five Category; and oppressed those who belonged to Black Five Category. The normal working people are in the middle in their social status. This was how the communist party classified the Chinese people.

A tag of the class status and the family origin could determine a person's destiny of his/her entire life. China was a society filled up with the sense of social stratum and human discrimination.

During the "Red Terror" of the Cultural Revolution period, the Bloodline-ism became extreme countrywide. It has made countless tragedies in China.

Notes:
Red Five Category: Worker, Poor and lower-middle peasants, Revolutionary cadre, Revolutionary army man, Revolutionary intellectual. Their children were claimed to be the Red Descendants.
Black Five Category: Landlord, Rich peasant, Counterrevolutionary, Bad element, the Rightist. Their children were called sons of bitches and were treated like potential enemy.

Lineages
Gate of Authority

-2010
Oil
90 x 100 cm
(35.43" x 3' 3.37")
Private collection

Added: 2012-08-08

Pioneers of the Red Guards were from the High School Attached to Tsinghua University. All of their family background were "Five Red Categories". Among them, the most fervent advocates of the Bloodline-ism came from the high-ranking party and government cadres families. In 1966, the famous "Xicheng District Picket of Red Guards " hold an exhibition at the Palace Museum to display the goods thus expropriated. To be in the former Imperial Palace and to be encircled with gold, silver and other treasures, a woman Red Guard sighed with emotion to her partners: "The People's Republic of China was found in 1949. If it wasn't republic we'd all have become princesses." Then, the state power seemed within in reach of the Red Guards' fingertips.

After two and a half years, Mao Zedong abandoned the Red Guards. Most of the Red Guards were sent to rural areas, and began the life of peasants.

Notes:
Five red categories: Worker, Poor and lower-middle peasants, Revolutionary cadre, Revolutionary army man, Revolutionary intellectual. Their children were claimed to be the Red Descendants.

Gate of Authority
The Descendants of the Dragon

-2010
Oil
76.2 x 101.6 cm
(30" x 3' 4")
Private collection

Added: 2012-08-08

In China, dragon is a miraculous animal in the human imagination. It was the symbol of ancient royal family. The emperors were called "the real dragons" and owned the supreme authority. In the early time of the Cultural Revolution, the "Red Guards" pushed their personality cult to Chairman Mao into a vertex with their devastatingly violent actions. That was not a dynasty in China but represented more than a dynasty. The "Red Guards" were a product of a totalitarian dictatorship. It was a short-lived successor of the dragon. Although the "Red Guards" disappeared, yet descendants of the Dragon are living on now.

The Descendants of the Dragon
A Girl in Barn

Oil on canvas
Public collection

Added: 2006-02-18
A Girl in Barn
Brother's Lunch

Oil on canvas
Public collection

Added: 2006-02-18
Brother's Lunch
Bride

Oil on canvas
Public collection

Added: 2006-02-18
Bride
Painter

Oil on canvas
Public collection

Added: 2006-02-18
Painter
Pregnant Worker

Oil on canvas
Public collection

Added: 2006-02-18
Pregnant Worker
A Young Couple (Tibetan)

Oil on canvas
Public collection

Added: 2006-02-18
A Young Couple (Tibetan)
Father and Daughter (Tibetan)

Oil on canvas
Public collection

Added: 2006-02-18
Father and Daughter (Tibetan)