Order your ARC 2012-2013 Salon Catalogue

Click here to become a sponsor

   
Nymphs and Satyr, by William Bouguereau (Detail)
click to learn more click to learn more click to learn more
click to learn more click to learn more click to learn more
click to see upcoming exhibition information Click to visit the Living Masters Gallery Click to see the winners of the 2011-2012 ARC Salon click to see the winners of the 2012 ARC Scholarship

Categories
  • [1 post]
    •
  • Academia and Modernism [26 posts]
    •
  • Advice to Artists [16 posts]
    •
  • Aesthetics [55 posts]
    •
  • ARC Living Master Gallery Testimonials [6 posts]
    •
  • Architecture [1 post]
    •
  • Art and Politics [13 posts]
    •
  • Art as a Profession [1 post]
    •
  • Art Criticism [9 posts]
    •
  • Art History Anecdotes [5 posts]
    •
  • Art History Timeline [3 posts]
    •
  • Art Practice [9 posts]
    •
  • Art's Place in Society [27 posts]
    •
  • Artspeak 101 [6 posts]
    •
  • Ateliers [10 posts]
    •
  • Bad Philosophy [1 post]
    •
  • Book Reviews [1 post]
    •
  • Canvas Priming or Preparation [1 post]
    •
  • College Activism: Return to Realism [52 posts]
    •
  • College Curricula [9 posts]
    •
  • Commentary on Specific Artists [33 posts]
    •
  • Definitions of Art [8 posts]
    •
  • Digital Art [20 posts]
    •
  • Discussion: William Bouguereau [3 posts]
    •
  • Exhibitions [5 posts]
    •
  • Fine Art and Photography [4 posts]
    •
  • Freedom of Expression [6 posts]
    •
  • Frequently Asked Questions [30 posts]
    •
  • Funding for the Arts [1 post]
    •
  • Good Art Versus Traditionalism [1 post]
    •
  • Hockney Completely Refuted [53 posts]
    •
  • Illustration as a Fine Art [27 posts]
    •
  • Impressionism vs Academism [5 posts]
    •
  • Juries and Competitions [1 post]
    •
  • Letters to ARC [458 posts]
    •
  • Life of an Artist [7 posts]
    •
  • Modernist Heroes Reconsidered [62 posts]
    •
  • Modernist Orthodoxy on Campus [4 posts]
    •
  • Moral Relativism [1 post]
    •
  • Music and Art [1 post]
    •
  • Myth & Religion in Art [7 posts]
    •
  • Nudity [1 post]
    •
  • Paint Pigments [8 posts]
    •
  • Perspective [2 posts]
    •
  • Picasso: Discussion by experts [14 posts]
    •
  • Places to See [1 post]
    •
  • Post of the Week [2 posts]
    •
  • Realism on the Rise [2 posts]
    •
  • Regarding GoodArt and ARC [10 posts]
    •
  • Renaissance Art [1 post]
    •
  • Responses to ARC [4 posts]
    •
  • Scholarship [1 post]
    •
  • Sculpture [1 post]
    •
  • Setting up the Studio [6 posts]
    •
  • Students at non-ARC Approved schools [1 post]
    •
  • Technical questions discussed and answered [6 posts]
    •
  • Techniques: Art Manuals [1 post]
    •
  • Techniques: Draughtsmanship [33 posts]
    •
  • Techniques: Oil Painting [80 posts]
    •
  • Techniques: Sculpture [2 posts]
    •
  • The Case of Pete Panse [4 posts]
    •
  • The Marketplace [19 posts]
    •
  • The Origins of Modernism [6 posts]
    •
  • What is Art? [24 posts]
    •


    Letter to ARC

    by David Lovegrove

    Keep up the great work, I especially liked the recent article about the current system in the uni art schools, absolutely spot on, just what I felt myself but didn't have the wide experience of many schools (and countries) to base my opinions on.

    The real outrage to me is not the preaching of post modernism so much as the heartless abuse of the trust of so many young and innocent would-be artist's trust.

    I taught a classical figure drawing workshop for 3rd year art students at our local uni, (Griffith Uni, Queensland College of Art) and the students were astounded by how much useful knowledge there was about figure drawing. I then told them of course that I had only given them a small taste of the thing. At least two of these young people decided to go to Julian Ashton Art School, Sydney (the classical school I attended) just on the strength of what I showed them.

    The school's web address by the way is:
    http://www.julianashtonartschool.com.au/
    Kindest Regards,
    David Lovegrove

    [ Editorial note: ARC's webmaster briefly attended the 2nd year Fine Arts programme at Griffith University, the Queensland College of Art, and can testify both to the lack of classical instruction, and the discouragement given to those students who wanted to pursue it. To give an example of the ignorance of Western tradition that prevailed, one staff member - in the sculpture department - hadn't even heard of Baroque sculptor and architect Gian Lorenzo Bernini; surely to be ranked with Ghiberti, Donatello, Michelangelo, Canova, and Rodin as one of the seminal figures in the history of the art. ]





    Home